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Exhibition details

Opening / Event Date:
17 January, 2014
6:30 pm - 8:00 pm
Closing / End Date:
15 February, 2014
Event Category:

“HANART 100: IDIOSYNCRASIES” is a curated selection of 100 significant artworks that range from early 20th century calligraphy to recent art. Its assemblage reflects a particular interpretation of Chinese art history of the 20th century to explore issues concerning the “Chinese contemporary”.  A selection of TZ Chang’s curatorial projects with various partners will also be on display at Pedder Building.  The symposium on 16th and 17th January features 20 speakers.  Discussions will explore the <3 Art Worlds> existing simultaneously within the “Chinese contemporary”.  These “3 art worlds” include the globalized capital world of contemporary art (which is often recognised as the only international platform), the world of Socialist art (usually characterized as already extinct), and the world of literati art (often structured as “tradition” of the past).

“HANART 100: IDIOSYNCRASIES” is curated by Chang Tsong-zung and Gao Shiming, and supported by researchers from the Institute of Contemporary Art and Social Thought (China Academy of Art).

Hong Kong Arts Centre: 18th January, 2014 – 3rd February, 2014 | Opening:  17th January, 2014 from 6:30pm to 8pm.

Hanart TZ Gallery (Pedder Building) & Hanart Square (Kwai Chung): 18th January, 2014 – 15th February, 2014.

The symposium will be held at Hong Kong Art Centre on 16th & 17th January, 2014, featuring 20 speakers. Please register ASAP with HK Arts Centre: http://www.hkaconlineregistration.com/event.php?lang=MQ==&en=MTQ2. Limited seats.

「漢雅一百:偏好」的策展由我和中國美術學院的同事高士明,以及當代藝術與社會思想研究所(中國美術學院)的研究員一起完成。2014年1月16日和17日 的三場國際學術論壇,分別聚焦三個命題進行討論。



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