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SHEUNG WAN
Ken Currie: Leviathan
26 Mar – 9 May, 2026
Flowers Gallery
ADMIRALTY
Hung Hsien: Between Worlds
25 Mar – 21 Jun, 2026
Asia Society Hong Kong Center
CENTRAL
Mary Weatherford: Persephone
24 Mar – 2 May, 2026
Gagosian
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Time After Time
24 Mar – 25 Apr, 2026
Ora-Ora
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A Grass Roof
24 Mar – 21 May, 2026
MASSIMODECARLO
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On Mermaid & Bird
24 Mar – 26 Apr, 2026
I.F. Gallery
WAN CHAI
Seeking Traces
24 Mar – 23 May, 2026
Kiang Malingue
SOUTHERN
Lap-See Lam: Bamboo Palace, Revisited
23 Mar – 2 May, 2026
Blindspot Gallery
SOUTHERN
SIDE CORE - under city
21 Mar – 16 May, 2026
wamono art
SOUTHERN
HKG-TYO 1974-2023
21 Mar – 23 May, 2026
WKM Gallery
CENTRAL
Beyond the Ordinary – Contemporary Book Art
21 Mar – 30 Sep, 2026
Print Art Contemporary
SOUTHERN
Resonance
21 Mar – 9 May, 2026
Whitestone Gallery
SOUTHERN
Jack Tworkov 1900-1982: Pioneer of Abstract Expressionism – A Survey
21 Mar – 9 May, 2026
DE SARTHE
SOUTHERN
Pouring Shadow - Contrast & Balance
20 Mar – 20 May, 2026
Sin Sin Fine Art
CENTRAL
REMEMBRANCE: A Tribute to the Work of Dinh Q. Lê
20 Mar – 16 May, 2026
10 Chancery Lane Gallery
CENTRAL
Chen Hui-Chiao: Under One Sky
20 Mar – 28 May, 2026
gdm (Galerie du Monde)
CENTRAL
FILTER: Reconstructing the Unseen
19 Mar – 18 Apr, 2026
JPS Gallery
CENTRAL
The Ascent: 15 Years of 3812 Gallery – Anniversary Exhibition
19 Mar – 7 May, 2026
3812 Gallery
SHEUNG WAN
Liu Ying: Visions of the Incarnate
19 Mar – 30 Apr, 2026
Leo Gallery
SHEUNG WAN
Luca Sára Rózsa: Last Trip to the Amazon
18 Mar – 9 May, 2026
Double Q Gallery
CENTRAL
In Pursuit of Naïveté: Fang Zhaoling’s Journey
16 Mar – 13 May, 2026
Alisan Fine Arts
SAI WAN (WESTERN)
Trichiasis
14 Mar – 8 Apr, 2026
HART HAUS
SAI WAN (WESTERN)
Double Blue: An Altered Fairy Tale of Hong Kong (I)
14 Mar – 7 Apr, 2026
HART HAUS
KWAI TSING
BINGYI: Formation of the Cosmos
14 Mar – 2 May, 2026
Hanart TZ Gallery
SOUTHERN
IRRÉSISTIBLES
13 Mar – 10 Apr, 2026
Boogie Woogie Photography
SOUTHERN
Ritual Lines
7 Mar – 30 Apr, 2026
Art Perspective
SHEUNG WAN
Layers to Essence
5 Mar – 18 Apr, 2026
Soluna Fine Art
SHEUNG WAN
What Hums in the Rain
5 Mar – 2 May, 2026
Contemporary by Angela Li
SOUTHERN
Zhang Xiaoli: Wandering Mindscape
28 Feb – 23 May, 2026
Alisan Atelier
SOUTHERN
Trevor Yeung: swallowing rumination, gracefully
24 Feb – 2 May, 2026
Blindspot Gallery
SOUTHERN
TEMPUS FUGIT —— Chen Xiangbo Fine-brush Paintings Show for Ringing the Year of Pony
24 Jan – 7 Apr, 2026
Y Gallery
OPENING SOON
GONGKAN: ASYNCHRONOUS AFFINITIES
22 Mar – 14 May, 2025
Tang Contemporary Art (Wong Chuk Hang)

Tang Contemporary Art is excited to present the solo exhibition Asynchronous Affinities by renowned Thai artist Gongkan at the Wong Chuk Hang space in Hong Kong from March 22 to May 14, 2025.

Asynchronous Affinities marks a new phase in Gongkan's creative practice, exploring displacement to challenge social norms, cultural codifications, and moral values while nurturing transcultural interconnections and individual development. The exhibition invites viewers to explore the poetics of in-between frontiers, gaps, and links across cultures and generations, as well as the interstices of sexual and gender diversities.

The initial impulse of this solo show relates to the concept of “Right Person / Wrong Time”, reflecting misaligned affinities. As a Thai artist with Chinese cultural roots facing global discrimination and social changes, Gongkan aims to engage audiences in introspection about personal and collective emotions, expanding possibilities for individual and social relations.

Gongkan’s creations combine ambiguous social situations—celebrating, crying, polluting, dining—generating narratives rich with contradictions and paradoxes. For example, a majestic golden Thai temple prang tops a silver unidentified object in black cosmic space, and a birthday cake transforms into a smoke-polluting factory. His art offers visitors various ways to experience struggles related to oppression and isolation while fostering altruistic relationships.

Gongkan has developed a unique oeuvre depicting a boy as a representation of himself alongside multi-gendered and multiracial figures passing through teleportation holes, creating interconnections between dreamlike cosmic spaces, cross-cultural contexts, and natural elements. His “teleport art” has gained international recognition, featuring striking minimal patterns, simplified figures, and a subtle color palette. Spherical shapes—like planetary rings, rainbows, and balloons—serve as contact zones and fields of energy, expressing resistance, sadness, eroticism, and criticality.

Gongkan’s painting technique layers deep transitioning colors, pushing painting to its limits. This approach makes tangible the paradoxical experience of a deep virtual imaginary that feels real and profound, while also transforming daily life into an extraordinary journey.

In dialogue with his paintings, Gongkan created a trans-mutating assemblage of human and non-human components, such as a Buddha hand with a robotic arm holding a rose. These elements are linked through teleportation holes, presenting a whole transitioning entity rather than mere anatomy.

Expanding his artistic exploration of social and cultural critique, Gongkan has conceived a new installation featuring a Chinese table with a motorized center tray and culinary utensils for presenting “dishes” made of artifacts that reflect our consumption society: fast fashion clothes knotted like a bun, noodles made from magazine strips, and stacked CDs resembling Peking duck wraps. Through this unexpected installation, Gongkan raises profound questions about Asynchronous Affinities that affect individuals and profoundly impact people's lives amid cultural and economic growth, gaps, clashes, overlaps, and interrelations. Like many Thai people, Gongkan has deep Chinese roots from the Teo Chew community. Such transcultural links are vital for understanding the complexity of cultural diversities and the paths for young Asian generations to navigate their lives while addressing family and cultural gaps, gender differences, and rapid economic and digital growth in pan-Asian and global contexts.

The touching video Confinements to Expectation (2020) will also be shown, depicting the artist cutting ropes that tie him to his father, evoking complex emotional responses of bond, trust, and separation.

In Gongkan’s art, shapes and colors serve as transformative components allowing practices of passage and transition. They refer to suspended planets, crying eyes, or fluffy cakes, acting as “contact zones” traversed by intimate emotions and power dynamics. Gongkan, rather than promoting fixed identities and stereotypes about who “I am” or “who I have to be”, is creating and sharing a daring and generous “art of becoming”.

WITH… you ~ people ~ bonds ~ heart ~ cultures ~ sex ~ nature ~ infinity ~ love…
OUT… of limits / frontiers / space / codes / time / identity / walls / exclusion…
Tang Contemporary Art (Wong Chuk Hang)

Address: Unit 2003-08, 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

Opening Hours: Tue–Sat 11am–7pm

Phone: +852 3703 9246

Website: tangcontemporary.com