FILTER
BY DISTRICT
BY STATUS
Clear
CENTRAL
Through Time—Print Art in Aberdeen Street
22 Feb – 31 Aug, 2025
Print Art Contemporary
CENTRAL
Tradition Transformed
24 Mar – 14 Jun, 2025
Alisan Fine Arts
ADMIRALTY
Objects of Play: Hoo Mojong Centennial Retrospective
26 Mar – 6 Jul, 2025
Asia Society Hong Kong Center
SOUTHERN
Group Exhibition: Hon6 hon6 (瀚瀚)
26 Apr – 30 May, 2025
SC Gallery
SOUTHERN
Lin Yan: Everlasting Layers
6 May – 16 Aug, 2025
Alisan Atelier
WAN CHAI
Crafting Memories
7 May – 26 Jun, 2025
Hong Kong Arts Centre
CENTRAL
A Moveable Feast
8 May – 28 Jun, 2025
Galerie KOO
CENTRAL
MOMENT
9 May – 30 May, 2025
JPS Gallery
SOUTHERN
South Ho Siu Nam: Wandering Daily
13 May – 7 Jun, 2025
Blindspot Gallery
CENTRAL
Yoon Hyup: Montage
15 May – 5 Jul, 2025
Tang Contemporary Art (Central)
SHEUNG WAN
Natalia Załuska: Daybreak
17 May – 28 Jun, 2025
Double Q Gallery
SHEUNG WAN
Monika Žáková: Echoes of Time, Echoes of Memory
17 May – 28 Jun, 2025
Double Q Gallery
CENTRAL
Cy Gavin
22 May – 2 Aug, 2025
Gagosian
CENTRAL
Huang Rui: Sea of Silver Sand
22 May – 16 Aug, 2025
10 Chancery Lane Gallery
YAU TSIM MONG
Spectra
24 May – 5 Jul, 2025
PERROTIN
SOUTHERN
Ailsa Wong: 1
24 May – 26 Jul, 2025
DE SARTHE
SOUTHERN
Zoran Music
24 May – 23 Aug, 2025
Axel Vervoordt Gallery
SHEUNG WAN
Fung, Lik-yan Kevin Retrospective Exhibition
29 May – 16 Jun, 2025
Leo Gallery
CENTRAL
A Room Of One's Own
29 May – 27 Jun, 2025
Sansiao Gallery HK
SOUTHERN
The Realm of Vision
29 May – 28 Jun, 2025
Tang Contemporary Art (Wong Chuk Hang)
CENTRAL
Condition I-VI and Blue Room
29 May – 30 Aug, 2025
MASSIMODECARLO
CENTRAL
Kongkee: Future Jātaka
30 May – 30 Aug, 2025
gdm (Galerie du Monde)
Cy Gavin
22 May – 2 Aug, 2025
Gagosian

Cy Gavin, Untitled (Marsh marigolds), 2025, acrylic and vinyl on wood, 60 × 60 inches (152.4 × 152.4 cm) © Cy Gavin. Photo: Maris Hutchinson

Gagosian is pleased to announce an exhibition of new paintings by Cy Gavin in Hong Kong. Opening on May 22, 2025, it is his debut exhibition in Asia.

Gavin interprets natural spaces phenomena with varied mark making that echoes the complexity of the forces that shape the landscape. Depictions of biological, geological, and cosmic structures made with at-times vivid hues, this group of paintings foregrounds themes of growth and transfiguration. Many use unprimed wooden panels as supports, with the visible wood grain itself playing an important compositional role where it is left unpainted. The square format of many of the paintings lends itself to an open-ended range of visual exploration.

Taking a macrocosmic view, Untitled (Protostar) (2025) envisions the birth of our sun as it emerged from a nebula through the accretion of matter at a vast scale.

Several paintings show plants commonly found in the woodlands, prairies, and coasts of North America, including aquatic marsh marigolds and eastern prickly pear cacti. Untitled (Maximilian sunflower) (2024), the exhibition’s largest work, depicts at life size a tall, profusely flowering plant which is heliotropic, following the sun’s motion. Untitled (Tide pool) (2025) and Untitled (Mussels) (2024), describe dynamic intertidal microhabitats affected by the moon.

Other works are concerned with processes of disintegration and regeneration. Untitled (Windsnap) (2024) represents a dead tree broken by the wind, while Untitled (Landslide) (2024) pictures a heap of boulders that have cleaved from a rock face and fallen into a desert canyon, counterposed with the orb of the rising moon. Untitled (Nurse log) (2024) visualizes the roots and trunk of an eastern hemlock tree that has sprung with robust growth from the fallen trunk of its dead predecessor, highlighting a key phenomenon in the life cycle of the forest.

Recalling perceptions of a specific moment and place, Untitled (2025) portrays a pond illuminated in warm tones by a bright summer moon and surrounded by a deep blue nocturnal expanse, with standing water reeds painted in loose calligraphic brushstrokes. Untitled (Aquarium) (2025) is based on the artificial habitat of a viewing tank that houses dolphins at the National Aquarium in Baltimore, Maryland.

Another set of paintings investigates the radial, spiraling structures of spiderwebs, their linear strands defined by Gavin’s painted demarcation of the negative space between them.

For Cy Gavin’s biographical information and exhibition history, please visit gagosian.com.
Gagosian

Address: 7/F, Pedder Building, 12 Pedder Street, Central

Opening Hours: Tue–Sat 11am–7pm

Phone: +852 2151 0555

Website: gagosian.com